Friday, September 7, 2012
Museo de Arte de El Salvador (MARTE)
MARTE Contemporáneo
Presents:
"Sacral"
by Nadie (nobody)
September 7th to October 14th, 2012
With cuts of football players silhouettes
taken from posters and photographs of the newspapers sports sections, Nadie
creates a mural of collages in which the accumulation of these figures further
evoked a fresh Baroque religious art. From this idea, similarities are found (very
obvious and commented) between religion and football fans: both massive, multitudinal
passions aroused. Thousands of people gather in one location and create
rivalries between opposites. In the iconography field, both figures are
suspended in the air (either by divine grace or to prevent a goal); faces with
intense expressions; limbs in angular poses, folded clothing in primary colors;
a possibility for erotic readings by interactions are presented, among others.
In this comparative exercise, it is curious to observe how the players are
attributed with extra-human abilities, almost with super powers a little more
credible than those attributed to the saints who are depicted in Catholic art.
Nadie
is Javier Ramirez, El Salvador, 1985. Writer
and visual artist. He has published the poetry collection "Even voided
spaces have air," winner of the literary contest Tapado Gallo from the
Cultural Center of Spain in El Salvador (CCESV), 2009. He won the third place
in the XI Young Artists for the Still
Life work, created in conjunction with Ephraim Caravantes; he participated
in Managua and San Salvador at the 2010 Poets per km² - Poetic festival
organized by Arrebato Libros of Spain
and had a solo exhibition of Nadie photography,
part of the festival Esfoto 10, at La Rayuela coffee shop, 2010. In 2011, he obtained
the Art Residency for Latin American and Haiti Creators at the Mexico's
National Fund for Culture and Arts in the field of Words. In 2012 he was part
of the sample This is not a
de-generation: young art in El Salvador? restored by Ernesto Calvo and held
at La Casa Tomada.
The MARTE Contemporary program is sponsored by Mario Cáder-Frech and the MARTE Contemporary Committee.
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